A cold, bleak, industrial, punk meditation on a cruel world and lives fighting that world only to be inevitably crushed by the gears of the death machine.
The whole album rumbles with the beat of the death machine that craves blood to lubricate its mechanics and the melody of tanks crushing skulls.
Throw in an Anti Cimex cover and you have the ultimate dystopian punk party at the end of times.
It's a grim listen. Believe me. But it hits a lot of familiar notes for anyone who's hated their boss, a heartless government and a corporate landscape that uses people and the environment like resources to grind up.
There's some sort of subconscious communion of punks and outsiders that can be felt on this record, as on all of the best punk.
Here's what CVLTNATION says about this release:
I’m Canadian, but I spent six years living in Los Angeles, and in the last year I lived there, there was a mass shooting in my neighborhood. Just a couple blocks from my home, a young man murdered his family, and shot up my surrounding streets, ending up on a college campus where he murdered four people, including a father and daughter. They were the streets we walked with our toddler, where we’d raised our teenage daughter, where we played and shopped and felt safe. Now they were surrounded by sirens, a horde of helicopters overhead, and bullet holes in windshields. Listening to people who didn’t live where I lived and didn’t feel what I felt argue about whether more or less guns would have made a difference was maddening. It felt so disrespectful to the lives lost and the sense of stripped-away safety for people to immediately make it political — but that’s what America does to keep the status quo in place.
So listening to the chaotic sounds of industrial synth crust // d-beat raw synth punk multi-machinist SCHKEUDITZER KREUZ perfectly captures the disgust and fear I felt watching the country descend into yet another Libs vs Cons debate.
“Second Life” is his latest single off his upcoming record No Life Left that’s out via Bad Habit Records and Sorry State Records on August 25th, 2023
Brisbane punk had a real golden era in the early/mid 2010s. The explosion of the more commercial side of hardcore in the 2000s had made 100s of teenagers aware of hardcore and the accessibility of the internet and explosion of obscure punk blogs had drawn them past the bigger rock star type bands into the […]
The brutality continues. Sorting through records to go this Saturday. If you're new here, here's the deal. We put new stuff out on Saturday mornings at 9am. Locals get first go for all of Saturday, then Saturday late afternoon the leftovers go live on the webstore. Don't dm asking for holds or anything like that. Don't be an annoying nerd.
@blackdeity1r lp is now well and truly out. The Launch at Rottenfest was great. I'm still recovering.
We just put it up for free download on bandcamp. So go sus that. There's also copies of the purple version still left over. Hit the bandcamp or webstore.
Or get out to the following places to get a copy. @middle.5tore , @badlands.vinyl @blackened_records_brisbane @popeyesskateshop @sonic_sherpa @rockinghorserecords @hideousrecords @19th_nervous_breakdown . And @sorrystate for Americans. Big love to all the independent stores who take our releases. You guys are legends and centres of underground scenes.
There's a Brisbane launch on October 28th @thebeardedladywestend with Exit Ploom , @pisssshivers and @oratory666 . Presented by @r.i.ppeace
Brisbane punk had a real golden era in the early/mid 2010s. The explosion of the more commercial side of hardcore in the 2000s had made 100s of teenagers aware of hardcore and the accessibility of the internet and explosion of obscure punk blogs had drawn them past the bigger rock star type bands into the weird and wild world of underground punk. Brisbane was also lucky enough to have a loose all ages venue that showed kids what total madness was possible once all the grown ups/businessmen types left the room and let the real heads run wild.
Out of that era came some total world class hardcore. Shackles, Last Chaos and Sick People were all total powerhouses in this era. There was one more band. A total sore thumb in the hardcore scene, but just as important and vital. That band was Black Deity. Some drug damaged maniacs playing bluesy punk. They still had cats going crazy and, personally, I saw them a bunch of times high as shit, and they always blew me away.
Black Deity released a Demo and 7", recorded an album, played a bunch of shows, drunk a bunch of beers, pulled a bunch of cones, took a bunch of pills then broke up. With the LP never coming out.
Now 10 years later, finally, the album can see the light of day.
Nine songs of sleazy blues punk tunes about self destruction and love and love lost. Think Black Sabbath for an obvious comparison, or Sir Lord Baltimore, Pentagram or Mayblitz....